1 00:00:13,360 --> 00:00:11,110 the movie you're watching here is a 2 00:00:15,640 --> 00:00:13,370 sequence of three hi-rise images that 3 00:00:17,830 --> 00:00:15,650 were taken of an object that might be 4 00:00:21,429 --> 00:00:17,840 the beagle to lander in assadís 5 00:00:24,670 --> 00:00:21,439 plantasia it was seen first as a series 6 00:00:27,700 --> 00:00:24,680 of bright spots these bright spots are 7 00:00:31,090 --> 00:00:27,710 not uncommon in spacecraft images as 8 00:00:33,790 --> 00:00:31,100 cosmic rays strike the CCD 9 00:00:35,680 --> 00:00:33,800 it's in two of the hi-rise images so we 10 00:00:38,410 --> 00:00:35,690 know they're on the ground they're not 11 00:00:41,410 --> 00:00:38,420 artifacts of cosmic rays strike on the 12 00:00:43,510 --> 00:00:41,420 CCD the third image was taken recently 13 00:00:45,370 --> 00:00:43,520 and I've taken the color channel from 14 00:00:48,760 --> 00:00:45,380 that third image and I've used it to 15 00:00:51,729 --> 00:00:48,770 colorize the first to the object itself 16 00:00:53,860 --> 00:00:51,739 seems to have different points on it 17 00:00:56,170 --> 00:00:53,870 that are catching glints from one image 18 00:00:58,540 --> 00:00:56,180 to another from this we're interpreting 19 00:01:00,549 --> 00:00:58,550 that we may actually be looking at the 20 00:01:03,670 --> 00:01:00,559 beagle to lander and that it is actually 21 00:01:06,850 --> 00:01:03,680 in some deployed condition whether all 22 00:01:09,250 --> 00:01:06,860 the panels have been opened up or not is